Balzer + Bray
A True Tale with
A Cherry On Top Author: Megan Reid and illustrator: Aaliya Jaleel
Character: Maryam Mirzkhani
"As a little girl, Maryam Mirzakhani was spellbound by stories. She loved reading in Tehran’s crowded bookstores, and at home she'd spend hours crafting her own tales on giant rolls of paper.
Maryam loved school, especially her classes in reading and writing. But she did not like math. Numbers were nowhere near as interesting as the bold, adventurous characters she found in books. Until Maryam unexpectedly discovered a new genre of storytelling: In geometry, numbers became shapes, each with its own fascinating personality—making every equation a brilliant story waiting to be told.
As an adult, Maryam became a professor, inventing new formulas to solve some of math's most complicated puzzles. And she made history by becoming the first woman—and the first Iranian—to win the Fields Medal, mathematics’ highest award."
Tantalizing taste: "People even called one of her discoveries 'the magic wand theorem' because it worked like magic to solve many problems that scientists had been puzzling over for more than a hundred years. She explained it using the image of a pool table, with balls that zigged and zagged forever. If you covered the balls in paint, how long would it take for their scattered paths to color the table completely?"
And something more: In the Author's Note, Megan Reid writes "I was sad that I had learned about this heroic figure only after she had passed away. I wished I could have let her know how much I admired her. But I was enchanted by a tidbit near the end of the article: 'Dr. Mirzakhan often dived into her math research by doodling on vast pieces of paper ... with equations at the edges.' How exciting that a brilliant mathematician was also an artist, would could bring the secrets of the infinite universe down to her living room floor."
How Frieda Caplan Changed the Way We Eat
A TRUE TALE WITH
A CHERRY ON TOP
(Simon & Schuster)
(pub.1.12.2021) 32 pages
Author: Mara Rockliff
Illustrator: Giselle Potter
Character: Frieda Caplan
Overview: "In 1956, Frieda Caplan started working at the Seventh Street Produce Market in Los Angeles. Instead of competing with the men in the business with their apples, potatoes, and tomatoes, Frieda thought, why not try something new? Starting with mushrooms, Frieda began introducing fresh and unusual foods to her customers—snap peas, seedless watermelon, mangos, and more!
This groundbreaking woman brought a whole world of delicious foods to the United States, forever changing the way we eat. Frieda Caplan was always willing to try something new—are you?" Tantalizing taste:
"It took a while for everybody to get used to Frieda's funny-looking fruits.
'A watermelon can't be seedless!' (seedless watermelon, 1962)
'Bananas should be yellow, man!' (red bananas, 1978)
'Is this from outer space, or what?' (kiwano (horned melon), 1984)
But if Frieda felt it in her elbows, she knew it was going to catch on ... eventually."
And something more: Mara Rockliff writes in the back of the book: "When Frieda started selling produce, the average supermarket carried about sixty-five kinds of fruits and vegetables. Now shoppers can find seven to eight hundred, many of them introduced by Frieda's... A scientist once told Frieda that there were up to eighty thousand edible species of plants on Earth. Frieda was ready to try them all."
Updated: 6 days ago
A TRUE TALE
WITH A CHERRY ON TOP
Marshall Cavendish Children
(Two Lions Publishing) 40 pages PURCHASE HERE
"As a young boy growing up in North Carolina, Romare Bearden listened to his great-grandmother's Cherokee stories and the whistles of trains steaming through town. When Romare's family, faced with Jim Crow laws, decided to head north, tears stung Romare's eyes as he watched the world whiz by out the train window. Later he captured his childhood memories in a famous painting, Watching the Good Trains Go By. Using that painting as inspiration and creating a text influenced by the blues and jazz that Bearden loved, Jeanne Walker Harvey has created a story of Bearden's childhood. She describes the patchwork of daily southern life that he saw from the train's window and the story of his arrival in shimmering New York City." Tantalizing taste: "I snip a patch of color and add a cut-out face. Oh! I glue on jazzy blue for sky and add another face. People walk into my work as if it's always been their place. My hands sing the blues when I paint and cut and paste. I never know what I’ll create when I paint and cut and paste. I use paper, fabrics, photos, and nothing goes to waste.” and something more: I wanted to share this post on my website blog (which I first posted on my TRUE TALES & A CHERRY ON TOP blog). At first I hesitated to write this post about my own book, My Hands Sing the Blues - Romare Bearden's Childhood Journey! But then I decided I wanted to sing about it from the rooftops (and my blog) -- it's such an exciting event for me. A dream come true to publish this book about this amazing artist and share my love of modern art with children! I first had the idea to write this book when, as a docent at the San Francisco Museum of Modern Art, I gave tours to school groups of an incredible Bearden exhibit organized by The National Gallery (Ruth Fine, curator and author of the comprehensive The Art of Romare Beardenwhich I studied). During my tours at SFMOMA, I could barely move the students to the next painting because they were so fascinated by Romare Bearden's huge collages and the stories they told. So many people have been part of this book journey with me. I dedicated the book to my mom -- "For my mother, June, who always inspires me to put a beat of color on an empty canvas."It's true -- she embodies creativity and instilled a love of it (and modern art) in me. My wonderful sons have always been my biggest supporters and early readers of my drafts. And I also owe heartfelt thanks to my family and wonderful friends who always encourage me, the San Francisco Docent Program that inspired me to write this book, my writer mentors (including Uma Krishnaswami who kept my writing spark lit when I was doubting myself, and Anastasia Suen whose courses kept me focused and inspired, and Amy Novesky who has included me in the warmth of her writing groups), and Margery Cuyler, an amazing editor at Marshall Cavendish (and author of many children's books also), who artfully guided me to rethink the text in just the right spots, and the incredibly talented artist Elizabeth Zunon, who is truly the best illustrator I can imagine for this book, and Lucy, my 11 year old black Lab who patiently listened as I read my many drafts aloud over and over and over again. Thank you to all! "When I put a beat of color on an empty canvas, I never know what's coming down the track."